1. (2006) Children of Men – The screenplay has flaws, mainly in its need for the characters to explain things to the audience they would never actually say in real life (the same problem that cursed Inception), but the acting, cinematography, art design and direction are near flawless. The scene in the elementary school is devastating, and I reference the war-zone-goes-quiet-because-of-the-baby scene in conversation as a metaphor for something else at least 4 times a year. Alfonso Cuaron might never make a better film, but he’s made at least one great one here. You’re a fascist pig. Alternate: Pan’s Labyrinth. Apparently it was a banner year for Mexican directors.
2. (2007) The Assassination of Jesse James by the Coward Robert Ford - Andrew Dominik made a nearly perfect film here, and it got almost completely ignored by the Academy. I expect that for great foreign films (like my alternate for the same year), or for quirky but brilliant indies (like my second alternate for the same year), but a movie starring Brad Pitt in the best performance of his life with an ensemble of fantastic actors around him should have had the Oscar voters tripping over their own feet to nominate this one. Nope. I even would have taken it for Best Cinematography over There Will Be Blood, which is saying something. But no. Nothing. Alternate: The Lives of Others. It hurts me to make this one an alternate, as it makes my top ten list of the last ten years. I’m scheduling a compare/contrast between this and Francis Ford Coppola’s forgotten 1974 masterpiece The Conversation sometime soon if anyone wants to join. Second alternate: Once.
3. (2008) Synecdoche, New York - It kills me not to take my first alternate on this one, as In Bruges in one of my favorite films of the last ten years, but Synecdoche was ultimately a more deserving film. It is grandiose and yet specific, expansive yet claustophobic. It speaks to the need in each of us for an audience, for witnesses to our existence, for kind but honest critics to our performance, for a record of our days, a chronicle of our thoughts, a work of art that will ensure our immortality when our small, forgettable lives are done. I get why it wasn’t nominated – it’s impenetrable to most movie goers – but if you’re a creative type in any way, you owe it to yourself to watch this one. Alternate: In Bruges. We’ve already done this once. Second alternate: Let the Right One In. The vampire movie for film snobs who don’t even have to love vampire movies. Poignant, beautiful, restrained, nearly perfect.
4. (2009) Sin Nombre - I was a bit disappointed with 2011′s Jane Eyre, but Cary Fukunaga did it right with his debut film about Central American refugees trying to make their way illegaly but desperately to the United States. A simple script and an unknown but deeply talented and empathetic cast made this heart-wrenching film a hard one to watch, but a harder one to look away from. It punched me in the chest. The next time someone says something asinine about illegal immigration, direct them to this film. Or just punch them in the chest. I’m really fine with either one. Alternate: Bright Star. The most beautifully shot film of the year.
5. (2010) Blue Valentine - Oh, this one hurt to watch. If you’re married and you say it didn’t, you’re either lying about the movie or you’re lying about marriage. Michelle Williams (be still my heart) and Ryan Gosling (be still m-wait, what?) were positively brilliant as a young married couple who are falling apart for all the hardest reasons. There is no cheating, no death of a child, no major catalyst at all – just two people falling out of love and trying to hold on by their fingernails. Marriage is hard. Watching this made Lyndie and I hold each other’s arms just a little bit closer as we walked down 5th street in Dayton away from the theater. It’s hard, but it’s worth it. Hang on. Also, this film finally exposed the MPAA as the sexist bastards they are, and they got called out on it. Score one for the female orgasm, America! Alternate: Another Year.
Bonus – (2011) – Beginners. Go see it. Now.












